Author Archive for mattiaijala

CHARITY SHOWCASE OF NEW MUSICAL THEATRE WRITING

The celebration and promotion of work by new musical theatre writers has always been close to Stephen Sondheim’s heart, so we thought you would like to know about a forthcoming charity concert which is being produced by our very own Vice-Chairman, Peter Auker (who will also musically direct the show jointly with A Stage Kindly’s Katy Lipson).

The show is being held at the home of The Stephen Sondheim Society Presents – The Pheasantry, King’s Road, on July 1st, and is called Snappy Title 4: The Secret of Happiness, and is presented in association with A Stage Kindly.

The artists performing will be:
Lorna Want, Tim Driesen, Rachael Louise Miller, Martin Neely, Gemma O’Duffy, Kimberley Blake, Mark Goldthorp, Kenneth Avery-Clark, Antony Lawrence, Kendra McMillan, Ben Vivian Jones, Mark Dugdale and Charlotte Bradford.

Composers and writers whose work will be featured are:
Paul Gordon, John Caird, Joe Sterling, Daniel Loveday, Charles Bloom, Christopher Orton, Bob Gould, Paula Rosen, Pippa Cleary, Jake Brunger, Alexander Bermange, Danny Davies, Finn Anderson, Nadav Weisel, Mike Hume, Noel Katz, Mark Allcorn, William Squier, Laurence Mark Wythe, Mark Goldthorp and Kenneth Avery-Clark

It will be a veritable feast of fantastic songs and performances, and of course they are hoping to raise as much money as we possibly can for The Myasthenia Gravis Association (www.mga-charity.org). So don’t miss out! Book your ticket today at www.pizzaexpresslive.co.uk or phone 0845 6027 017.

Categories news, performances, shows

From The Guardian 16.3.2012

 

Stephen Sondheim: our greatest composer?

No one today has better mastered the art-form of marrying words and drama to music, and keeping that essentially operatic ideal alive in a broader public consciousness

Sweeney Todd, Chichester fest theatre, 2011

‘The show has a genuinely epic dimension’. Imelda Staunton as Mrs Lovett and Michael Ball as Sweeney Todd in Sweeney Todd The Demon Barber of Fleet Street. Photograph: Tristram Kenton.

Yes, yes, there’s a lot to look forward to in terms of new and new-ish operatic and music-theatrical marvels in the next few weeks and months up and down the country: The Rake’s Progress at Scottish Opera, David McVicar’s first production of Stravinsky’s controversial masterpiece which opens tomorrow, there are exciting new shows at English National Opera, who are at last catching up with the rest of Europe and letting British audiences had the chance to see pieces by two of the most prolific and successful opera composers around, Detlev Glanert and Wolfgang Rihm; and even if it hasn’t gone down very well with the critics, there’s Judith Weir’s Miss Fortune at Covent Garden. Even better, Birmingham Opera Company stage their first new commission, Jonathan Dove’s Life is a Dream on the 21st of March, and then start their engines to prepare for the world premiere of Stockhausen’s Wednesday from Light (“Mittwoch aus Licht”, if you prefer the mysterious-sounding German), complete with its quartet of helicopters.

But what I’m looking forward to just as much as any of all of those – well, if I can get a ticket, that is – is Sondheim’s Sweeney Todd at the Adelphi. It might just be, when the dust settles in a few decades on the history of the setting of stories to music in the late 20th century, that it’s Sondheim rather than any of the “classical” musicians who takes the laurels as the composer who did the most to sustain the art-form of marrying words and drama to music, and keeping that essentially operatic ideal alive in a broader public consciousness.

The reasons for Sondheim’s pre-eminence aren’t hard to grasp: hisgenius as a lyricist, his brilliance as a song-writer, his infallible knack of instantly nailing the passions and problems of his characters through the deftness, delicacy, and unpredictability of his harmonies. The first show I got to know was Into the Woods, in a famous production in which I starred (or attempted to, at any rate) as the Baker at the University of York in 1995 – “famous”, that is, to me and the, oh, dozens of people who saw it – where my pseudo-classical preconceptions about the creative mediocrity of the musicals I thought I knew up that point was scotched at a stroke by Sondheim’s jaw-dropping sophistication. The musical secrets of Sondheim’s poetic and expressive universe would take a book to describe in detail (and helpfully, here is that very tome by Stephen Banfield, a fantastically rigorous analysis of just how Sondheim does it, forensically exploring the melodic and harmonic mechanics of how he creates as much musical and dramatic coherence in his scores as any other theatrical composer); and for the stories behind his lyrics, Sondheim’s own two books are the best places to go. But it’s the simultaneous immediacy as well as profundity of his music that makes Sondheim such an essential composer. Sweeney Todd’s inexorable sweep gives the show a genuinely epic dimension, from the gory churn of its opening chorus to the ghoulish humour of Mrs Lovett’s songs and the grand guignol of its conclusion. The opera houses will always have the last word when it comes to the grandeur and greatness of the art-form, but the Adelphi’s where it’s at if you want to see the life-blood of music theatre, as Sweeney’s razor slices its way through the necks of “those who moralise”.

Categories news, performances

Alex Parker Productions Presents
BRAVA
SUNDAY 1st APRIL 2012 at 7pm
G LIVE
Alex Parker Productions present their premier venture ‘BRAVA’ at G Live this
April.
‘BRAVA’ is a charity musical theatre concert raising money for the Surrey Based
charity Shooting Star CHASE.
The evening will feature a full concert orchestra conducted by Alex Parker and
led by Emily Davis.
The concert will be led by MARIA FRIEDMAN (The Woman in White, Passion,
Ragtime, The Witches of Eastwick), MATT LUCAS (Les Miserables), CLIVE ROWE
(Guys and Dolls, Company), LUCY SCHAUFER (The Light in the Piazza, On the
Town), FRA FEE (Dirty Dancing, Les Miserables), CAROLINE SHEEN (Mary
Poppins, Les Miserables, Chitty Chitty Bang Bang), LAURA TEBBUTT (Les
Miserables, The Wizard of Oz), ASHLEY ROBINSON (Flloyd Collins, Wicked),
GEORGE STILES & ANTHONY DREWE (Honk, Betty Blue Eyes, Mary Poppins).
The concert will feature over 50 singers, including singers from GSA and will
feature songs from all different genres of musical theatre.
JONATHAN BUTTERELL (Soho Cinders, The Light in the Piazza, Nine) will be
staging the concert, with musical supervision and featured orchestrations by
Tony Nominee JASON CARR (A Little Night Music, La Cage Aux Folles). The Sound
Design is by Thomas Mann and Lighting Design by John Harris.
The evening will feature works by Stephen Sondheim, Stiles and Drewe, Marvin
Hamlisch, Jason Carr, Adam Guetell and Rodgers and Hammerstein but to name a
few.
BOX OFFICE 0844 7701 797
or BOOK ONLINE www.glive.co.uk
Tickets £22/£19.50/£17/£15

Categories news, performances

From Playbill

 

A newly-revised scene from Stephen Sondheim and John Weidman’s 1976 musical Pacific Overtures will debut as part of the March 11 Shinsai: Theatres for Japan benefit. The authors have allowed Playbill.com to share their work with readers.

As previously reported, Tony and Pulitzer Prize-winning composer-lyricist Sondheim and Tony-nominated book writer John Weidman are among more than a dozen theatre writers who are contributing material to the benefit that will be staged by Tony Award winner Bartlett Sher (South Pacific, The Light in the Piazza) at the Great Hall at Cooper Union at 3 PM and 8 PM.

Below are the new lyrics and text for “Four Black Dragons”/”Next,” which were written exclusively for the Shinsai benefit.


RECITER/ANNOUNCER
July eighth, eighteen hundred and fifty-three. Four American steamships, a type of ship hitherto unknown in Japan, approach the east coast of Honshu.

(Lights up on a FISHERMAN)

FISHERMAN
I WAS STANDING ON THE BEACH
NEAR THE CLIFFS
AT OSHIMA.
I WAS SPREADING OUT THE NETS
FOR THE MORNING SUN.
IT WAS EARLY IN JULY
AND THE DAY WAS GETTING HOT,
AND I STOPPED TO WIPE MY EYES,
AND BY ACCIDENT I TURNED
AND LOOKED OUT TO SEA…

AND THERE CAME,
BREAKING THROUGH THE MIST,
ROARING THROUGH THE SEA,
FOUR BLACK DRAGONS,
SPITTING FIRE.
AND I RAN,
CURSING THROUGH THE FIELDS,
CALLING THE ALARM,
SHOUTING TO THE WORLD,
“FOUR BLACK DRAGONS,
SPITTING FIRE!”

AND THE EARTH TREMBLED,
AND THE SKY CRACKED,
AND I THOUGHT IT WAS THE END OF THE WORLD.

RECITER/ANNOUNCER
March eleventh, two thousand and eleven. An earthquake measuring nine point zero on the Richter Scale occurs forty-three miles off the east coast of Honshu.

(Lights up on a SHOPKEEPER)

SHOPKEEPER
I WAS SWEEPING UP THE GLASS
IN OUR SHOP IN MIYAKO.
WITH THE CHILDREN HOME FROM SCHOOL
FOR THE AFTERNOON.
THOUGH THE GROUND WAS SHAKING STILL,
IT HAD STARTED TO SUBSIDE,
WHEN I HEARD A DISTANT HUM
AND LOOKED OUT TO SEA …

AND THERE CAME,
BREAKING THROUGH THE MIST,
RISING THROUGH THE SEA,
THICK BLACK MOUNTAINS
CHURNING WATER.
AND WE RAN,
FAST AS WE COULD RUN,
HIGH AS WE COULD GO,
WATCHING THEM UNCOIL –
GREAT BLACK MOUNTAINS
CHURNING WATER.

FISHERMAN
I HAD SEEN
DRAGONS BEFORE –
NEVER SO MANY,
NEVER LIKE THESE!

SHOPKEEPER
(Simultaneously)
AND THE EARTH TREMBLED
AND THE SEA BUBBLED
AND THE BOATS SHATTERED
AND THE BIRDS DROWNED …

BOTH
AND I THOUGHT IT WAS THE END OF THE WORLD!

RECITER/ANNOUNCER
Waves thirty meters high propelled water six miles inland, obliterating towns and villages along four hundred miles of coastline. Sixteen thousand people died. A month later, four thousand people were still missing.

(During the above, an ENSEMBLE OF SINGERS appears)

FISHERMAN, SHOPKEEPER, ENSEMBLE
(Softly)
THE END OF THE WORLD…

SHOPKEEPER
(In silence)
BUT IT WASN’T.

(VAMP of “Next” begins)

MEMBER OF ENSEMBLE
Within two days, Japanese Defense Forces had cleared all the debris from the town of Hakozaki and emergency supplies were being delivered to the townspeople twice a day.

ENSEMBLE MEMBER
SKIES ARE CLEARING,
THINGS ARE MOVING –
NEXT!

ENSEMBLE MEMBER
Within a month, the Sendai Airport, washed away by the tsunami, was rebuilt and reopened to commercial aircraft.

FISHERMAN
SKIES ARE CLEARING,
AIR IMPROVING,
FIELDS APPEARING –
NEXT!

ENSEMBLE MEMBER
Within two months, the nation’s industrial output had increased by a record six percent, the largest increase in the history of Japan.

SHOPKEEPER
WATERS THINNING,
RUBBLE BURNING –

FISHERMAN
A NEW BEGINNING –
NEXT!

SHOPKEEPER
FLOWERS BLOOMING,
ENGINES CHURNING –

BOTH
LIFE RESUMING,
HOPE RETURNING,
NEXT!

ENSEMBLE MEMBER
On November third, the first of seventeen thousand cherry trees was planted at the point where the land had finally pushed the water back.

ALL
TOWER TUMBLES,
TOWER RISES –
NEXT!
ALL
TOWER CRUMBLES,
MAN REVISES.
MOTOR RUMBLES,
ENERGIZES
ENTERPRISES –
NEXT!

ALWAYS STRIVING,
SOMETIMES FAILING,
NOT YET THRIVING,
NOT YET SAILING,
STILL SURVIVING
AND PREVAILING –
NEXT!
NEXT!

RECITER/ANNOUNCER
March eleventh, two thousand and twelve. Thousands gather in theaters in the United States and around the world to support and celebrate the resilience of the people of Japan.

ALL
KEEP REPAIRING,
PERSEVERING –
NEXT! NEXT!
NO DESPAIRING,
SKIES ARE CLEARING –
NEXT!
NEXT!
NEXT!

Categories news, shows

9/11 10th Anniversary

To mark its 25th anniversary on October 26th 2001, the National Theatre commissioned 25 writers to write 25 scenes to make up an untitled chain play known as NT25 Chain Play. Each one handed their scene on to the next writer who had complete freedom to take the script in any direction they wished. The idea for the play was conceived by Angus MacKechnie and it was performed, just the once, on October 26th.
The story begins with “A villa somewhere in Southern Europe. Quite spacious, pleasing, a pool and spacious patio. Alex, late forties, crumpled from flight and airport, stands very still gazing ahead of him. Josie, twenties, appears behind him.” Alex is not happy because someone has built a large pink villa that has spoiled the view and the story continues from here…..
The cast, of 13 who read from the script, were Anthony O’Donnell, Nichola McAuliffe, Tim McInnerny, Janie Dee, Simon Day, Christopher Staines, Julie Legrand, Tilly Blackwood, Oliver Cotton, Andrew French, Elizabeth Renihan, Paul Bazely and David Arneil.
The first act was a mixed bag of goodies with a sharp and witty script. And as the chain play had begun before the terror attacks on 11th Sep, the play does take a dark turn to reflect this event. In scene 8, the characters watch the destruction of the towers on Sky TV. The theme of the story begins to take this on board, particularly in the lyrics of the song written by Stephen Sondheim to end the first act, a song that encompasses what happened that fatal day.
 

NT25: The Chain Play

Scene 12

By Stephen Sondheim

 

The Sound of a huge JETLINER, growing louder and louder, capped by an enormous EXPLOSION.

All freeze. Lights dim on all but Josie.

MUSIC: a wordless OFFSTAGE VOCAL LAMENTATION, which continues underneath as JOSIE sings.

(NB: CAPITALS mean LYRICS, lower case means dialogue)

Josie
  
I WAS OUT FOR A RUN,
RUNNING THROUGH THE VILLAGE
WHEN I HEARD A WOMAN YELL:
Woman
  
(V.O) (In Spanish)
La torre fue golpeada!
Josie
  
I REMEMBER WHERE I WAS,
JUST EXACTLY WHERE I WAS,
RUNNING PAST THAT SHOP -
Another
woman
  
(V.O) (In English)
The tower’s been hit.
Alex unfreezes, faces front

Alex
  
I WAS SORTING OUT MY NIGHTMARES -
Josie
  
- SELLING SHOES -
Alex
  
WHEN I HEARD -
Tallfryn
  
(unfreezes, refers to his radio)
I WAS TRYING TO GET MOSCOW -
Alex
  
- NEWSCASTERS -
Tallfryn
  
SUDDENLY THIS DESOLATED VOICE …
Josie
  
- BOOTS AND SHOES -
The sound of another huge explosion.

Male
Announcer
  
(V.O) (Awe-struck and a bit tinny)
The other tower has been hit.
Tallfryn
& Alex
  
I’LL REMEMBER IT FOREVER…
Josie
  
AND I THOUGHT:
Alex
  
WHERE I WAS…
Tallfryn
& Paula
  
WHAT I WAS DOING…
Josie
  
SOMETHING JUST BROKE.
Announcer
  
(V.O)
Both the towers have been hit.
Alex
  
MY GOD…
LAMENTATION continues for a moment, then the ORCHESTRA joins it. The OTHERS unfreeze as they sing.

Paula
  
I WAS WHINGEING ABOUT CITIES…
Darren
  
I WAS CLEANING OUT MY GUN…
Vera
  
I HAD JUST COMPLETED
FOLDING THE SARONGS…
Paula & Vera
  
WHEN I HEARD -
Darren
  
WHEN I HEARD -
Stevo
  
WE’D BEEN FUCKING IN THE POOL…
Vera
  
- THIS COMMOTION…
Darren
& Stevo
  
ALL THIS SCREAMING…
Paula
  
ALL THESE PEOPLE SCREAMING -
Vera
  
ALL THIS SCREAMING -
Stevo
  
ALL THIS SCREAMING -
Darren,
Stevo,
Paula
& Vera
  
I’LL REMEMBER IT FOREVER…
Josie
  
AND I THOUGHT:
Announcer
  
(V.O)
The tower’s coming down!
Josie
  
YOU KNOW WHAT?
JUST AS BUILDINGS, THEY WERE REALLY NOT SO HOT.
Darren,
Stevo,
Paula
& Vera
  
AND THE THUNDER…
Josie
  
SOMETHING BEAUTIFUL COULD OCCUPY THAT SPOT…
The three GODS are discovered, hurling thunderbolts. Perhaps we hear the wind-like roar of the tower collapsing.

God 1
  
THIS WILL SHAKE THEM…
God 2
  
THIS WILL ROUSE THEM -
God 3
  
- FROM THEIR SLEEP.
Gods 1 & 2
  
WHAT THEY COUNTED ON IS OVER -
God 3
  
- IN A STROKE.
Josie
  
SOMETHING JUST BROKE…
Announcer
  
(V.O)
The other tower’s coming down! …

(The roar stops)

The towers have collapsed…

The towers are gone…
From here on, the ACTORS sing as themselves, not as the characters they’ve been playing.

Josie
  
SOMETHING JUST BROKE.
Man in
Trilby
  
(unfreezes)
I WAS AT THE CORNER PUB…
Josie
  
SOMETHING JUST MADE AN AWFUL DENT.
Trace
  
(unfreezes)
I’D BEEN SHOPPING…
Black
  
I’D BEEN SICK…
Josie
  
SOMETHING JUST BROKE -
Angel
  
I WAS COMING FROM REHEARSAL…
Josie
  
ALL WITHIN A MOMENT.
Man in
trilby,
Trace,
Black &
Angel
  
I REMEMBER IT EXACTLY…
Josie
  
SOMETHING GOT BENT.
Red
  
WE’D BEEN READING DICKENS -
Josie
  
SOMETHING JUST LEFT AN AWFUL MARK.
Paula
  
I WAS ON THE PHONE…
Red
  
- STARTING IN ON MATHS…
Josie
  
SOMETHING JUST WENT A LITTLE DARK.
All
  
(lamentation)
AHHHHH…
Josie
  
SOMETHING JUST WENT.
Others
  
(overlapping)
AND I WONDERED -
I WAS SCARED OF -
WHAT WOULD FOLLOW…
Josie
  
SOMETHING TO BE MENDED.
Alex
  
MADE ME WONDER WHO WE ARE…
Josie
  
SOMETHING WE HAVE TO WEATHER -
Vera
  
IT WAS SEEING ALL THOSE PEOPLE…
Josie
  
BRINGING US ALL TOGETHER -
The CAST divides into various GROUPS, as the Director and MD see fit.

Group
  
WE WERE THEM…
Group
  
THEY WERE US…
Josie
  
- IF ONLY FOR A MOMENT…
All except
Josie
  
I’LL REMEMBER IT FOREVER…
Josie
  
NOTHING HAS REALLY ENDED -
Group
  
WHERE I WAS…
Group
  
WHAT I WAS DOING…
Josie
  
- ONLY JUST BEEN SUSPENDED.
Group
  
LIKE A FLASH…
Josie
  
‘CAUSE SOMETHING JUST STIRRED…
Individuals
or groups
  
(variously overlapping)
AND I THOUGHT:
AND I THOUGHT TO MYSELF:
AND I THOUGHT:
Josie
  
SOMETHING JUST WOKE.
Individuals
or groups
  
AND I THOUGHT:
I KEPT THINKING:
All
  
SOMETHING JUST SPOKE,
SOMETHING I WISH I HADN’T HEARD.
SOMETHING BEWILDERING OCCURRED.
FIX IT UP FAST,
PLEASE,
TILL THERE’S NO SMOKE,
TILL IT’S ONLY SOMETHING THAT PASSED -
Josie
  
NOTHING THAT WILL LAST.
Individuals
or groups
  
…WHERE I WAS…
… WHAT I WAS DOING…
Josie
  
NOTHING BUT THE MOMENT,
JUST AN AWFUL MOMENT.

STILL, SOMETHING JUST -
The song stops. THEY all look up, puzzled.

Blackout

End of Act 1
INTERVAL

Categories news, sondheim news

Broadway Performers Barbara Walsh, Sally Wilfert, Kate Wetherhead and Paul Anthony Stewart Star in Side By Side By Sondheim Fundraiser Launches Inaugural 2011-2012 Season for Singing OnStage Productions

 

September 13 & 15, 2011 at 7pm

 

Tickets are $20 with a $15 food/beverage minimum.  Call 212-695-6909.

 

The Laurie Beechman Theatre @ West Bank Café

407 West 42nd Street, NYC 10036

 

For more information, visit:  www.singingonstageproductions.com

Categories news, performances

David Lardi writes:

If you live anywhere near Walthamstow, North London, or even if you don’t, do try and get to see The Musical of Musicals The Musical! at Ye Olde Rose and Crown Theatre (above the pub) in Hoe St, five minutes from Walthamstow Central Tube (Victoria Line).  I guarantee that it will be one of the funniest evenings you will ever spend.  The show takes the simplest of premises.  Imagine the same story told five times over as set consecutively in the differing styles of Rodgers and Hammerstein, Jerry Herman, Andrew Lloyd Webber, Kander and Ebb and, of course, Stephen Sondheim.  Somewhat in the manner of Forbidden Broadway, each segment blends together and parodies the authors’ most famous famous shows (and quirks). Sweeney Todd, the Demon Impressionist painter anyone? It’s such a barrage of so many witty and clever verbal and musical references – “he kept on making specific overtures to me” – that it’s impossible not to enjoy it thoroughly.

 

With a highly talented and energetic professional cast, it runs nightly at 7.30pm through until Friday 26th August with a Sunday matinee at 3.30pm (only).  Tickets are £12.00 (£10.00 concessions). Box Office 0843 2892144 or bookline at http://www.allstarproductions.co.uk/#/select-a-date/4518283488

Categories news